locationsecond velvet backdrop studio, Boston MA datenovember 18, 2008 |
locationsecond velvet backdrop studio, Boston MA datenovember 18, 2008 |
location2nd velvet backdrop studio, Allston MA datenovember 6, 2008 |
Two projection feedback setups were positioned side by side, so that only their extreme edges were connected, allowing imagery created on one side to jump to the other.
locationa converted hotel suite in the greenwich village neighborhood of Manhattan dateaugust 30, 2008 (2pm session) |
Shot in a Greenwich Village studio apartment in 2008. The model, from Italy, was visiting NYC for the summer.
locationa converted hotel suite in the greenwich village neighborhood of Manhattan dateaugust 30, 2008 (10am session) notesconcentrating on the dermal reactivity of the model’s face |
This session occurred in an apartment rented in Greenwich Village which had very little floor space but which had mirrors that covered many of the walls from floor to ceiling. It was like being on the berth of a train that was converted into a fun house. To get more space to work in, I moved all of the floor-standing furniture of the main room into the tiny closet of a bedroom, and draped a dark sheet along one wall to isolate an optical field.
locationfort point studio, boston datejuly 23, 2008 |
locationthe original velvet backdrop studio in Fort Point, Boston datejuly 23, 2008 notesthe model was standing behind a translucent projection screen |
This session occurred in the limited confines of the Fort Point (Boston) studio location, which was less than 300 square feet in area. On this occasion, I decided to split the available space in two by introducing a translucent screen between the model and the projection. This was an early experiment in the use of shadows as a negative space for optical reactions, but the result is so abstract it is sometimes difficult to tell how the shadows are created in the first place.
locationthe original velvet backdrop studio, Fort Point Boston datejune 18, 2008 |
The color variations were brought about by maximizing the color saturation and balance controls on the television screen. When the highest level of stability has been achieved, a gelatinous entity takes form, which exhibits life-like qualities. (Please excuse the chatty titles.)
locationthe original velvet backdrop studio in Fort Point, Boston datefebruary 15, 2008 notesthe original HD video was post-processed to eliminate two other interleaved reactions |