greenpoint studio, NYC
august 7, 2011
a compilation of documented effects upon the model’s face, neck and sholders
For years I have made it standard practice to connect one of the documentation cameras to a large television directed at the model. This is why many of the sequences show the subject looking intently in one direction – not so much to appease their sake of vanity, but more for the model to be able to obtain visual feedback on the reaction in progress and therefore have a better ability to affect it.